More

ABOUT

(b 1982) A fine arts and design graduate from University of Santo Tomas - Manila - Pauline Vicencio Despi draws inspiration from the noise and textures of her environment. The sound of machines in her grandfather's workshop and the flow of the river close to her childhood home influenced the style and themes of her art. 


Her work involves moving imagery and sound; textures and nature; expanding the dimension in which her art can be experienced to create a unique brand of narrative fiction. Through sensorial approach and multi-discplinary collaborations with other artists, Pauline is able to amplify the events happening within and periphery of the self.


Recent exhibitions include ‘New Weave’ at National Gallery SG (Singapore/ AU), ’Situated Sounds’ (Toronto), ‘All Together Now: Sound X Design’ (Design Museum Chicago), ‘Composite Noises’ (Manila), Flame Video Art Fair (TP), and ‘Imperfect’ at Giffest 2023 (SG)’. She is 1/2 of ‘Sublingua, Submachines’ - an experimental laboratory she shares with her husband, whose works have been screened in National Museum Singapore, Artisan Queensland, Gasworks London, KLEX Kuala Lumpur Experimental Film and Music Fest, and Festival Accés Asié in Montreal. 


Pauline is part of the 13 Southeast Asian Emerging Women Artists 2022 for ‘ARUS’ by Maybank Foundation, Malaysia. 

Pauline on a hike in Mount Makiling gathering information and inspiration for her work.

Current Exhibition

Pablo 18th

Pablo 18th runs from September 16 to Oct 7, 2023 at Post Gallery, Cubao X - Manila, Philippines

Find out more
Past Exhibition

GIFFEST 2023

"Imperfect Exhibition"

National Design Center, Singapore

VIEW EXHIBITION
Past Exhibition

ARUS

Southeast Asian Emerging Women Artist

Exhibition (Malaysia)

by Maybank Foundation

VIEW EXHIBITION
Past Exhibition

ALL TOGETHER NOW Sound x DESIGN

DESIGN MUSEUM CHICAGO (USA)

November 13, 2021 – April 3, 2022

Find out more

BURNING THE GAP BETWEEN THE AIR AND THE SEA (2023)

Short documentation of Pablo Gallery at FLAME Video Art Fair TP 錄像藝術博覽會 2023

Now on its 3rd year, FLAME Video Art Fair 錄像藝術博覽會 has this unique take on video exhibitions by assigning 1 hotel room per gallery which serves as a blank canvas for video art pieces. 


Thank you to Pablo Galleries and the incredible team behind FLAME TP for having me and Ivan. 


'Burning the Gap Between the Air and the Sea'

Video installation, 2023

STANDING AT THE EDGE OF WATER (2021)

This video was part of Situated Sounds IV: EULOGIES - inviting artists to respond by contemplating on Eulogies and their vast connections to memory, pasts, laments, celebrations, completions, and endings, as preludes to new trajectories. https://www.situatedsounds.com/


Babel (2012)

Collaborative work with Ivan Despi

for ManilArt 2013 (Pablo Gallery)

Diagrams (2017)

Collaborative video & choreography 

with Dear Prudence

Music For the Impaired (2013)

Collaborative work with Ivan Despi

for Art Fair Philippines 2013

Urban Art Installation, Ayala Museum site


AUTOMATIK DREAM MASHEEN


Part of NEW WEAVE Exhibition

National Museum of Singapore 

for Singapore Art Week 2021


(Collaborative work as Sublingua, Submachines)

Ivan and Pauline Despi




ALL TOGETHER NOW (Sound x Design)

COLLABORATIVE WORKS

HETO NA (Music Video)

Motion graphics animation for the music video of Toronto-based Filipina band, Pantayo (Eirene Cloma, Michelle Cruz, Joanna Delos Reyes, Kat Estacio, Katrina Estacio. 


Produced by: alaska B

Label:Telephone Explosion Records 

Director - Tricia Hagoriles 

Director of Photography - Sabrina Spilotro  

Motion design and artwork - Pauline Vicencio-Despi

INTERACTIVE INSTALLATIONS

A Steady, Wavering Tone

A Steady, Wavering Tone

A Steady, Wavering Tone

A Steady, Wavering Tone, is a response to Tin F Garcia’s politically-charged A Sovereign Tea Party, the first exhibit in the series. For this exhibit — Pauline’s third solo show — she creates an immersive experience that combines sound, touch, and movement. She rigged Tin’s existing works with mics and sensors (which were done in collaboration with analog synth maker Mark Rambo), turning the works into instruments. Pauline is, in effect, sculpting the atmosphere using her art. With its aural explorations, A Steady, Wavering Tone represents a new direction in Pauline’s art, which used to primarily involve video. 

Whereas A Sovereign Tea Party explored territorial disputes from a distance, A Steady, Wavering Tone makes that conflict more palpable. The two main installations in the exhibit  — “This Lot Is Not For Sale” and “Tao Po” — create live aural feedback whenever the viewer interacts with them.

A Steady, Wavering Tone

A Steady, Wavering Tone

Pauline also scattered pebbles around the works, which recalls the practice of scattering stones around private property to deter intruders. By creating pieces that respond to the viewer’s movements, Pauline brings a strong, visceral currency to the space. 


The sound could be interpreted as warning sirens, or calls to action. Or signals for help. When the viewer moves away, the sound dies down. This presents an interesting dilemma: that urgency relies on a person’s proximity to become palpable, to become real.  


March 2 to 23, 2019 at PABLO GALLERY - The Fort.

EXPERIMENTS

New Simulation - Sim 01

Siamese Snakes

Kataluna

EXPERIMENTAL FILMS

4PM

2020


For Composite By The Numbers, Pauline assembled a piece that is based on time and the number 4. For four months at 4 o’clock in the afternoon, a new set of data is released by the DOH showing the rising death tolls, recoveries and new cases of Covid-19 in the Philippines. Bringing the total number of cases to forty thousand on July 4th.  A few days from now will be our fourth month of being in quarantine. Four gruelling months of living in constant fear worrying about how the next few days or weeks will look like for all of us. We count the days without looking forward to what is going to come. What used to be will never be like it was. With people losing their jobs and savings; families losing loved ones; and for most of us, losing our freedom.   4 O’Clock is the wave of fear sweeping over us translated into sound.  


Track name: 4 O’Clock (feat. Anjeline De Dios) 

Date created: 2020 July 4 

Duration: 4:01 

Sample rate: 44.1 Khz 4/4 

4 notes 4 loops / 4 voices

Unbury The Meaning

2018

5:07
We paint a picture in our minds that the ‘white' exists because of the black; that ‘ugliness’ is a benchmark for beauty; and that ‘lies’ are extractions from the truth. There is an internal struggle to look for the exact meaning of things for the deeply curious.We beg answers to ‘what is truth if not for a little lie? what is beautiful if you have not seen the ugly? When we were taught to look for truth, kindness, and beauty we are left to our own devices and often it takes time.Pauline Despi waited almost two years to produce a new film. In her new video UNBURY THE MEANING, the artist attempt to draw pictures and write words in a seemingly endless line-work. Perhaps to uncover what is true, ugly or beautiful in her nature and in her art, only to be lost again in the process.


Unbury the Meaning is screened at KLEX  2018. Kuala Lumpur Experimental Film, Video and Music Festival as part of the International Guest Programme.

R Photo: 

Pauline and her son Grey, trekking in Mt. Makiling.

Displacement in the form of walking, running, or trekking - as sensorial approach of acquiring inspiration and information in art practice.


More about Pauline and her process in Instagram

pauvdespi

Sublingua,Submachines

siamese_snakes


Contact

This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

Cancel

Copyright © 2024 Pauline V Despi - All Rights Reserved.

Powered by GoDaddy Website Builder